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Jan Sibelius
Nielsen and Sibelius This course involved comparing and contrasting the careers and music of two great Scandinavian contemporaries. Both were born in 1865, Sibelius gave up composing in 1931, the year of Nielsen’s death. The course was based round their magnificent symphonies but explored their whole contribution to C20th music. I ran this course at…
Ethel Smyth
Dame Ethel Smyth, Composer and Suffragette The remarkable life of a pioneer of women composers in Britain. All six of her operas were performed in her lifetime and her March of the Women was the battle cry of the Suffragettes. The course followed Ethel Smyth’s remarkable career from conventional middle class background through her musical…
Handel and Royalty
Handel fell in love with England on his first visit writing music for Queen Anne herself. He was reconciled with George I partly with his Water Music Suite and wrote the coronation music for George II. It is an examination of how closely his music and career was bound up with the British royal family…
Nicolai Rimsky-Korsakov
The Mighty Handful The lives and music of Balakirev, Cui, Borodin, Mussorgsky and Rimsky-Korsakov examining how they came together and how their careers overlapped. In 1867 the critic Stasov wrote a review of the Pan-Slav concert organised by Mily Balakirev: “God grant that our Slavonic guests may never forget today’s concert; God grant that they…
Caprice
Caprice for Violin and Piano in G This was written in 1984 when I was a teacher at a small Prep School in Kent for the violin teacher, Alison Reynolds. The obvious influence is Handel with a few modern twists. Although it is in one continuous movement it is in three sections marked Adagio, Vivace…
Stabat Mater
A setting of the Stabat Mater written in 1987 stabatmater with piano