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Diaghilev and the Ballet Russes
Diaghilev This was a chronological examination of the great impresario’s touring opera and ballet company, particularly concentrating on the many works he commissioned from Stravinsky, Ravel, Satie, Prokofiev, De Falla, Poulenc, Milhaud and others. No one has done more to advance the development of music who was not themselves a composer or performer than the…
Johannes Brahms
Brahms and Bruch This was a comparative study of the two greatest German instrumental and choral composers of their day whose reputations have not fared equally well. Johannes Brahms and Max Bruch were two of the most celebrated composers in late nineteenth century Germany. Bruch predicted that his fame would fade as Brahms’s grew. Although…
Modest Mussorgsky
The Mighty Handful The lives and music of Balakirev, Cui, Borodin, Mussorgsky and Rimsky-Korsakov examining how they came together and how their careers overlapped. In 1867 the critic Stasov wrote a review of the Pan-Slav concert organised by Mily Balakirev: “God grant that our Slavonic guests may never forget today’s concert; God grant that they…
Dmitri Shostakovich
Prokofiev and Shostakovich This course examined how two Russian composers came to terms with the constraints of living and working under the Soviet regime. Unlike their contemporaries, Rachmaninov and Stravinsky, both Prokofiev and Shostakovich found ways to express their artistic integrity within the strict confines of Soviet Russia. They were both censored at times but…
Handel and Royalty
Handel fell in love with England on his first visit writing music for Queen Anne herself. He was reconciled with George I partly with his Water Music Suite and wrote the coronation music for George II. It is an examination of how closely his music and career was bound up with the British royal family…
Mass in G minor
Kyrie Kyrie Gloria
