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Max Bruch
Brahms and Bruch This was a comparative study of the two greatest German instrumental and choral composers of their day whose reputations have not fared equally well. Johannes Brahms and Max Bruch were two of the most celebrated composers in late nineteenth century Germany. Bruch predicted that his fame would fade as Brahms’s grew. Although…
Zoltan Kodaly
Kodaly and Budapest This study was part of a longer course studying the history and culture of Budapest. We concentrated on Kodaly’s choral works and how they fitted in with the tradition of Hungarian choral works initiated by his greatest predecessor, Liszt. We compared Liszt’s Hungarian Coronation Mass with Kodaly’s similarly celebratory Buda Castle Te…
Piotr Tchaikovsky
Tchaikovsky Whilst his contemporaries were torn between the traditionalists and the nationalists, Tchaikovsky tried to find a Third Way and succeeded in becoming the most popular composer Russia has ever produced. This course not only listened to his music but used videos of his ballets and operas to examine the dramatic genius of his ideas….
My Mag and Nunc
Written at Durham Cathedral Easter 1987 Magnificat Nunc Dimitis
Robert Schumann
Schumann and Schumann This course examined the music and careers of Robert and Clara Schumann, how they were entwined and the influence on each other. The course was run thematically with the first week being an overall chronology and then each week concentrating on one type of music such as Piano Muisc, Songs, Choral, Orchestral…
Antonio Vivaldi
Vivaldi and Venice This study was part of a longer course studying the history and culture of Venice. I started with an outline of Vivaldi’s life and career giving musical examples of his operas, choral works and concerti. The afternoon was spent with a more detailed analysis of the Seasons and a full examination of…