Music

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    Dmitri Shostakovich

    Prokofiev and Shostakovich This course examined how two Russian composers came to terms with the constraints of living and working under the Soviet regime. Unlike their contemporaries, Rachmaninov and Stravinsky, both Prokofiev and Shostakovich found ways to express their artistic integrity within the strict confines of Soviet Russia. They were both censored at times but…

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    Serge Prokofiev

    Prokofiev and Shostakovich The course examined how two Russian composers came to terms with the constraints of living and working under the Soviet regime. Unlike their contemporaries, Rachmaninov and Stravinsky, both Prokofiev and Shostakovich found ways to express their artistic integrity within the strict confines of Soviet Russia. They were both censored at times but…

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    Jan Sibelius

    Nielsen and Sibelius This course involved comparing and contrasting the careers and music of two great Scandinavian contemporaries. Both were born in 1865, Sibelius gave up composing in 1931, the year of Nielsen’s death. The course was based round their magnificent symphonies but explored their whole contribution to C20th music. I ran this course at…

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    Carl Nielsen

    Nielsen and Sibelius This course involved comparing and contrasting the careers and music of two great Scandinavian contemporaries. Both were born in 1865, Sibelius gave up composing in 1931, the year of Nielsen’s death. The course was based round their magnificent symphonies but explored their whole contribution to C20th music. I ran this course at Crayford…

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    Clara Schumann

    Schumann and Schumann This course was on the music and careers of Robert and Clara Schumann, how they were entwined and the influence on each other. The course was run thematically with the first week being an overall chronology and then each week concentrating on one type of music such as Piano Muisc, Songs, Choral,…

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    Robert Schumann

    Schumann and Schumann This course examined the music and careers of Robert and Clara Schumann, how they were entwined and the influence on each other.  The course was run thematically with the first week being an overall chronology and then each week concentrating on one type of music such as Piano Muisc, Songs, Choral, Orchestral…

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    Cesar Cui

    The Mighty Handful The lives and music of Balakirev, Cui, Borodin, Mussorgsky and Rimsky-Korsakov examining how they came together and how their careers overlapped. In 1867 the critic Stasov wrote a review of the Pan-Slav concert organised by Mily Balakirev: “God grant that our Slavonic guests may never forget today’s concert; God grant that they…

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    Mily Balakirev

    The Mighty Handful The lives and music of Balakirev, Cui, Borodin, Mussorgsky and Rimsky-Korsakov examining how they came together and how their careers overlapped. In 1867 the critic Stasov wrote a review of the Pan-Slav concert organised by Mily Balakirev: “God grant that our Slavonic guests may never forget today’s concert; God grant that they…

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    Modest Mussorgsky

    The Mighty Handful The lives and music of Balakirev, Cui, Borodin, Mussorgsky and Rimsky-Korsakov examining how they came together and how their careers overlapped. In 1867 the critic Stasov wrote a review of the Pan-Slav concert organised by Mily Balakirev: “God grant that our Slavonic guests may never forget today’s concert; God grant that they…